• works in this project

Wall Drawings

Wall Drawings (2015-2016) is a series of ‘murals’ on the temporary ‘houses’ built by the Filipino domestic workers groups around Central, Hong Kong. This series began as simple decorative drawings that I drew while spending …

Corpus

Corpus (2015-2016) is a series of interventions into the recycling collection points around Central. These recycling collection points are like the river mouths of the waste cardboard route. They buy not only cardboard waste, but …

Five Tonnes of Homes and Other Understories

Five Tonnes of Homes and Other Understories (2016), fresh from the streets of Central, is in turn a re-intervention to the art world. Like thick books with drawn covers, the massive bales of cardboard waste …

Proposal for a Film: Within the Leaves, a Sight of the Forest

“Waste paper is like a forest. Paper recycles itself, generation after generation,” a man once told Zhang Yin, possibly the richest self-made woman in the world according to Forbes magazine in 2006, who earns her …

Delta

Conceptually and geographically, Art Basel Hong Kong is a logical place for re-intervention of this project into the art world. As the most prominent art fair in the region, it is a highly visible event. The fair is equipped …

Within the Leaves, a Sight of the Forest (working title)

Within the Leaves, a Sight of the Forest (working title, due 2018) is in process. It is a further development of Proposal for a Film: Within the Leaves, a Sight of the Forest (2016). Diverting …

 
Credits • Trade/Trace/Transit (2014-2016) is supported by Australia Council for the Arts’ New Work – Mid Career grant • Tintin Wulia is a recipient of the Australia Council for the Arts’ Creative Australia Fellowship 2014-2016 • Presentation of Five Tonnes of Homes and Other Understories (2016) at Encounters section (curated by Alexie Glass-Kantor) and Proposal for a Film: Within the Leaves, a Sight of the Forest at Film sector (curated by Li Zhenhua) of Art Basel Hong Kong 2016 is co-supported by Osage Gallery • • Project Assistant and Translator: Wong Lik Wai 黃力瑋 • • Many thanks to: Precy Cabinian Rosil • Leticia Dafun • Racquel Agdeppa • Remy Ragosanpe • Michelle Cebrero • Mila Mercado • Vilma Berenio • Lourdes Mollanida • Editha Aquino • Chona Rizaldo • Florita Aquino • Riza Arnesto • Reizel Arnesto • Joyce Rubis • Dinah Teruel • Vangie Domingo • Ludilyn Viernes Navalta • Venia Anonuevo Ranchez • Uncle Reymel • Wong Siu Hung • Brian Tsoi • Chris Tsoi • Kurt • Bobby • Keung • • Jay Due • Rommel Banania • Kanny Kan • Leo Leung • Grace Lam • Chloe Chu • Pysche Ma • Lysander Leung • Resy Poncia • Sunny Huang • Zinnia Lin • Agnes Lin • • The Edge Brisbane • Hammad Nasar/Asia Art Archive • Andrew Stahl/Slade School of Fine Art • • Sonja Ng • Arianna Gellini • Janice Leung • Kingsley Ng • Sybil Kot • Royce Ng • Daisy Bisenieks • Qinyi Lim • • Zoe Butt • Isabel Ching • Patrick Flores • Alexie Glass-Kantor • Li Zhenhua • • Cara Satmoko-Ball • Zeno Wulia • Cecilia Indradjaja • Erich Round