{"id":195,"date":"2016-04-21T12:35:14","date_gmt":"2016-04-21T12:35:14","guid":{"rendered":"http:\/\/www.tintinwulia.com\/tradetracetransit\/?post_type=jetpack-portfolio&p=195"},"modified":"2025-03-18T17:45:10","modified_gmt":"2025-03-18T17:45:10","slug":"news","status":"publish","type":"jetpack-portfolio","link":"https:\/\/www.tintinwulia.com\/tradetracetransit\/?portfolio=news","title":{"rendered":"Delta"},"content":{"rendered":"

Conceptually and geographically, Art Basel Hong Kong is a logical place for re-intervention of this project into the art world. As\u00a0the most prominent art fair in the region,\u00a0it is a highly visible event. The fair\u00a0is\u00a0equipped with the necessary media relations, and\u00a0its\u00a0curated sections emphasise the fair\u2019s uniqueness. Having Five Tonnes of Homes and Other Understories<\/strong> <\/em><\/a>\u00a0and Proposal for a Film: Within the Leaves, a Sight of the Forest<\/strong><\/em><\/a>\u00a0shown in curated sections Encounter<\/em> (curated by Alexie Glass-Kantor) and Film<\/em> (curated by Li Zhenhua), respectively, meant high visibility. I also invited the stakeholders in the project for a gathering where we recounted the processes in the project at Asia Art Archive’s Open Platform 2016<\/a> at the fair. In just a few days, 82 single articles were published in different media, and more are still being written about the issue as well as the project.<\/p>\n


\nShowings:<\/big><\/strong><\/p>\n

\u2022 Maintenance Works<\/strong><\/em><\/a>, Cemeti – Institute for Art and Society, 20 January 2017 – 31 January 2018.
\n\u2022 Material Politics<\/a><\/strong><\/em>, “172 Kilograms of Homes for Ate Manang” (2017), Institute of Modern Art, 6 May – 15 July 2017.
\n\u2022 KINO<\/a>,\u00a0<\/strong><\/em>The Hague Contemporary Weekend,\u00a06-8 July 2018.
\n\u2022 Festival for the People<\/strong><\/em><\/a>,\u00a0Philadelphia Contemporary, 13-28 October 2018.<\/p>\n


\nArticles I have written:<\/big><\/strong><\/p>\n

\u2022 After the Suits Leave, Another Hong Kong Economy Thrives<\/a><\/em><\/strong>, published in\u00a0<\/em><\/strong>Next City<\/a><\/em>, 12 October 2016.
\n\u2022 How Things-in-Common Hold Us Together<\/a><\/strong>,\u00a0<\/em>published in Antennae: the Journal of Nature in Visual Culture<\/em>, July 2021.<\/p>\n


\nOther articles:<\/big><\/strong><\/p>\n

\u2022 Making Art (a Public) Matter in Asia: the social intervention aesthetics of Tintin Wulia<\/strong><\/em><\/a>, Michelle Antoinette<\/a> – published in Public Art Dialogue<\/em> journal, 2018<\/p>\n

Selected Media Coverage<\/big><\/strong>
\n(or download details\u00a0of\u00a0all\u00a0media coverage<\/a>\u00a0updated 3 May 2016)<\/small><\/p>\n

Watch:<\/strong>
\n\u2022 the\u00a0Encounters: New Materiality<\/a><\/strong><\/em>\u00a0panel at\u00a0Salon<\/strong><\/em>, Art Basel Hong Kong 2016, moderated by Alexie Glass, with artists Brook Andrew, Tintin Wulia and Charles Avery.
\n\u2022 Tintin Wulia talks about\u00a0Five Tonnes of Homes and Other Understories<\/em>\u00a0for\u00a0The Sun<\/a><\/strong><\/em>\u00a0(from 1:33) during Art Basel Hong Kong 2016.
\n\u2022 Angelika Li and Tintin Wulia converse about\u00a0Five Tonnes of Homes and Other Understories<\/strong><\/em>\u00a0at\u00a0RTHK The Works’\u00a0<\/strong>Art Basel and Art Central Special<\/a><\/strong><\/em>\u00a0(from 7:00), 30 March 2016.
\n\u2022 Tintin Wulia gives\u00a0a tour<\/a>\u00a0around\u00a0Five Tonnes of Homes and Other Understories<\/em>\u00a0to Bhavna Kakar and friends at\u00a0TAKE on art Magazine<\/strong><\/em>.
\n\u2022\u00a0A\u00a0video<\/a>\u00a0of\u00a0\u00a0Five Tonnes of Homes and Other Understories<\/em>\u00a0(from 4:30) at\u00a0VernissageTV<\/strong><\/em>.<\/p>\n

Read:<\/strong>
\n\u2022 Art Agenda:\u00a0Art Basel Hong Kong<\/strong><\/em><\/a>\u00a0by Aileen Burns and Johan Lundh
\n\u2022 The Art Newspaper:\u00a0Artist Follows Hong Kong’s Paper Trail<\/strong><\/em><\/a>\u00a0by Payal Uttam
\n\u2022 The Standard:\u00a0All eyes on art as show opens doors<\/strong><\/em><\/a>\u00a0by Laura Mannering\/Agence France Presse and staff reporter
\n\u2022 Tory Daily (Tory Burch’s blog):\u00a0To Do: Art Basel Hong Kong<\/strong><\/em>
\n<\/a>\u2022 Amuse i-D:\u00a07 Artworks to See at Art Basel<\/strong><\/em><\/a>\u00a0by Iona Goulder
\n\u2022\u00a0O, le cahiers de tendances de l’obs:\u00a0Art Basel 2016 : 5 artistes qui ont soulev\u00e9 Hong Kong<\/strong><\/em><\/a>\u00a0by Laurianne Melierre
\n\u2022 Departures:\u00a0Culture Calendar: 20 Things To Do This March<\/strong><\/em><\/a>\u00a0by Rebecca Milzoff
\n\u2022 Art Asia Pacific:\u00a0Selections from Art Basel Hong Kong 2016<\/strong><\/em><\/a>\u00a0by the editors
\n\u2022 Daily Mail:\u00a0Metal cubes, N. Korea handcraft highlight Hong Kong art show<\/a>\u00a0<\/strong><\/em>by Kelvin Chan\/Associated Press
\n\u2022 La Croix:\u00a0Art contemporain: la grande foire Art Basel s’ouvre \u00e0 Hong Kong<\/a><\/strong><\/em>\u00a0(AFP)
\n\u2022 Luxuo:\u00a0Reality Bites: Social Critiques at Art Basel HK<\/a><\/strong><\/em>
\n\u2022 Ecozine:\u00a0Art Week: Green Encounters<\/strong>\u00a0<\/em><\/a>by Nissa Marion<\/p>\n

The title background image above is a screenshot of an O magazine article by\u00a0Laurianne Melierre.<\/p>\n","protected":false},"excerpt":{"rendered":"

Conceptually and geographically, Art Basel Hong Kong is a logical place for re-intervention of this project into the art world. As\u00a0the most prominent art fair in the region,\u00a0it is a highly visible event. The fair\u00a0is\u00a0equipped with the necessary media relations, and\u00a0its\u00a0curated sections emphasise the fair\u2019s uniqueness. Having Five Tonnes of Homes and Other Understories \u00a0and …<\/p>\n","protected":false},"author":1,"featured_media":163,"comment_status":"closed","ping_status":"closed","template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"jetpack-portfolio-type":[],"jetpack-portfolio-tag":[],"class_list":["post-195","jetpack-portfolio","type-jetpack-portfolio","status-publish","format-standard","has-post-thumbnail","hentry"],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.tintinwulia.com\/tradetracetransit\/index.php?rest_route=\/wp\/v2\/jetpack-portfolio\/195","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tintinwulia.com\/tradetracetransit\/index.php?rest_route=\/wp\/v2\/jetpack-portfolio"}],"about":[{"href":"https:\/\/www.tintinwulia.com\/tradetracetransit\/index.php?rest_route=\/wp\/v2\/types\/jetpack-portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.tintinwulia.com\/tradetracetransit\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tintinwulia.com\/tradetracetransit\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=195"}],"version-history":[{"count":2,"href":"https:\/\/www.tintinwulia.com\/tradetracetransit\/index.php?rest_route=\/wp\/v2\/jetpack-portfolio\/195\/revisions"}],"predecessor-version":[{"id":209,"href":"https:\/\/www.tintinwulia.com\/tradetracetransit\/index.php?rest_route=\/wp\/v2\/jetpack-portfolio\/195\/revisions\/209"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.tintinwulia.com\/tradetracetransit\/index.php?rest_route=\/wp\/v2\/media\/163"}],"wp:attachment":[{"href":"https:\/\/www.tintinwulia.com\/tradetracetransit\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=195"}],"wp:term":[{"taxonomy":"jetpack-portfolio-type","embeddable":true,"href":"https:\/\/www.tintinwulia.com\/tradetracetransit\/index.php?rest_route=%2Fwp%2Fv2%2Fjetpack-portfolio-type&post=195"},{"taxonomy":"jetpack-portfolio-tag","embeddable":true,"href":"https:\/\/www.tintinwulia.com\/tradetracetransit\/index.php?rest_route=%2Fwp%2Fv2%2Fjetpack-portfolio-tag&post=195"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}