{"id":121,"date":"2016-04-23T06:25:36","date_gmt":"2016-04-23T06:25:36","guid":{"rendered":"http:\/\/www.tintinwulia.com\/tradetracetransit\/?p=121"},"modified":"2016-05-18T12:17:42","modified_gmt":"2016-05-18T12:17:42","slug":"credits","status":"publish","type":"post","link":"https:\/\/www.tintinwulia.com\/tradetracetransit\/?p=121","title":{"rendered":"Credits"},"content":{"rendered":"

The title background image above is a still of a VernissageTV video by Heinrich Schmidt.<\/small><\/em><\/p>\n

 <\/p>\n

Trade\/Trace\/Transit<\/strong> <\/em>(2014-2016) is supported\u00a0by Australia Council for the Arts<\/a>‘ New Work – Mid Career<\/em> grant.<\/p>\n

Tintin Wulia is a recipient of the Australia Council for the Arts’ Creative Australia Fellowship<\/em><\/a> 2014-2016.<\/p>\n

Presentation of Five Tonnes of Homes and Other Understories<\/strong><\/em> (2016) at Encounters<\/em> section (curated by Alexie Glass-Kantor) and Proposal for a Film: Within the Leaves, a Sight of the Forest<\/strong> <\/em>at Film sector (curated by Li Zhenhua) of Art Basel Hong Kong 2016<\/strong> <\/em>is co-supported by Osage Gallery<\/a>.<\/em><\/p>\n

Cardboard Lives<\/strong><\/em>, a gathering of people involved in the processes of this project was\u00a0hosted at Art Basel Hong Kong 2016<\/em> by Asia Art Archive<\/em>‘s Open Platform 2016<\/strong><\/em><\/a>.<\/p>\n

Proposal for a Film: Within the Leaves, a Sight of the Forest<\/strong>\u00a0<\/em>was initially\u00a0developed during artist-in-residence period\u00a0at\u00a0Transcultural Art Network,\u00a0Slade School of Fine Art<\/a>. Sound partially recorded\u00a0at The Edge Brisbane<\/a>.<\/p>\n

Project Assistant and Translator<\/strong>
\nWong Lik Wai \u00a0\u9ec3\u529b\u744b<\/p>\n

Many thanks to:<\/strong>
\nPrecy Cabinian Rosil
\nLeticia Dafun
\nRacquel Agdeppa
\nRemy Ragosanpe
\nMichelle Cebrero
\nMila Mercado
\nVilma Berenio
\nNora Gonzales
\nLourdes Mollanida
\nEditha Aquino
\nChona Rizaldo
\nFlorita Aquino
\nRiza Arnesto
\nReizel Arnesto
\nJoyce Rubis
\nDinah Teruel
\nVangie Domingo
\nLudilyn Viernes Navalta
\nVenia Anonuevo Ranchez
\nUncle Reymel
\nWong Siu Hung
\nBrian Tsoi
\nChris Tsoi
\nKurt
\nBobby
\nKeung<\/p>\n

Jay Due
\nRommel Banania
\nKanny Kan
\nLeo Leung
\nGrace Lam
\nChloe Chu
\nPysche Ma
\nLysander Leung
\nResy Poncia
\nSunny Huang
\nZinnia Lin
\nAgnes Lin<\/p>\n

Sonja Ng
\nArianna Gellini
\nJanice Leung
\nKingsley Ng
\nSybil Kot
\nRoyce Ng
\nDaisy Bisenieks
\nAnneke Coppoolse
\nQinyi Lim<\/p>\n

Zoe Butt
\nLi Zhenhua
\nAlexie Glass-Kantor
\nIsabel Ching
\nPatrick Flores<\/p>\n

Cara Satmoko-Ball
\nCecilia Indradjaja
\nZeno Wulia
\nErich Round<\/p>\n

Hammad Nasar and Asia Art Archive
\nAndrew Stahl and Slade School of Fine Art – UCL
\nDaniel Flood, Mick Byrne and The Edge Brisbane<\/p>\n","protected":false},"excerpt":{"rendered":"

The title background image above is a still of a VernissageTV video by Heinrich Schmidt.   Trade\/Trace\/Transit (2014-2016) is supported\u00a0by Australia Council for the Arts‘ New Work – Mid Career grant. Tintin Wulia is a recipient of the Australia Council for the Arts’ Creative Australia Fellowship 2014-2016. Presentation of Five Tonnes of Homes and Other …<\/p>\n","protected":false},"author":1,"featured_media":158,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":["post-121","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.tintinwulia.com\/tradetracetransit\/wp-content\/uploads\/2016\/05\/Screen-Shot-2016-05-03-at-12.43.15-am-e1462202385133.png?fit=2302%2C725&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/s7koX3-credits","_links":{"self":[{"href":"https:\/\/www.tintinwulia.com\/tradetracetransit\/index.php?rest_route=\/wp\/v2\/posts\/121","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tintinwulia.com\/tradetracetransit\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tintinwulia.com\/tradetracetransit\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tintinwulia.com\/tradetracetransit\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tintinwulia.com\/tradetracetransit\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=121"}],"version-history":[{"count":18,"href":"https:\/\/www.tintinwulia.com\/tradetracetransit\/index.php?rest_route=\/wp\/v2\/posts\/121\/revisions"}],"predecessor-version":[{"id":185,"href":"https:\/\/www.tintinwulia.com\/tradetracetransit\/index.php?rest_route=\/wp\/v2\/posts\/121\/revisions\/185"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.tintinwulia.com\/tradetracetransit\/index.php?rest_route=\/wp\/v2\/media\/158"}],"wp:attachment":[{"href":"https:\/\/www.tintinwulia.com\/tradetracetransit\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=121"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tintinwulia.com\/tradetracetransit\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=121"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tintinwulia.com\/tradetracetransit\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=121"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}